OPEN ANTHROPOLOGY

Entries categorized as ‘RESURGENCE’

Sucker for an interesting name: “Monkey Smashes Heaven”

July 12, 2008 · 5 Comments

Yes, I do devote a few hours each week to randomly trawling blogworld, and when one blog seems to melt into another it is sometimes something as little as an eye-catching design or a “strange” blog name that arrests my attention.

MONKEY SMASHES HEAVEN is certainly an arresting name, and blog, both in terms of the heated text and the unique visuals. The blogger(s) at MSH identify themselves as communist. This is an extract of their philosophical statement:

“We revolutionaries are monkey kings. We will turn the world upside down — the messier, the better…”
- Red Guard leaflet

Monkey Smashes Heaven is a journal dedicated to smashing the old world to smithereens. The old world is rotten to the core. The First World as a whole exploits, rapes and plunders the whole planet and its peoples. It’s time to turn the tables.

Do they mean it is time for the “third world” to rape, plunder, and exploit what they call the first world? I am not so sure that means much of an improvement then. I certainly like their fighting spirit, and their discontent with the current state of affairs, but there are a lot of good reasons for even a committed Marxist-Leninist, which I am not, to take serious exception with the old Soviet model which seems to attract their sympathies. Nevertheless, I will read their blog and try to keep an open mind. I have not yet understood why much of it seems focused on Nepal, for example, with a detour into “KKKolumbus Day” (this ought to be the official spelling, but then that would mean keeping the day) so there is a lot more for me to learn.

Categories: DECOLONIZATION · LIBERATION · RESURGENCE · UTOPISTICS
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(Video) Notes from the Indian Diaspora, Part 1: Responding to Modernity and the Tyranny of Tradition

July 10, 2008 · 8 Comments


I have to begin by thanking Guanaguanare, one of the Trinidadian bloggers I admire most, for having already done such an excellent job discussing the popular Trinidadian music video below, Sumintra. I will distill some of those notes and add a few comments and sources of my own. So, yes, this is a “derivative” work (or collaboration by relay) that hopefully does as much justice to Sumintra.

“Sumintra” is the title of a well known song in Trinidad performed by the chutney soca artist, Rikki Jai, written by Gregory Ballantyne. I mentioned Rikki Jai at the start of this week, and as I said then, he is brilliance on two legs. There is an important point behind my gushing praises — both Rikki Jai/Ballantyne and Guanaguanare are doing their own engaged anthropology concerning cultural transformations in their home society, with Jai devising a tool, a response, the song Sumintra itself, for dealing with those transformations, and Guanaguanare producing a public commentary on her respected blog. Neither he nor she respectively call themselves anthropologists as far as I know, even though I am aware of some cultural activists in the UK who choose to label themselves “cultural anthropologists” without necessarily suggesting that they have any degree in that field.

•••••••

Before beginning the description/translation and discussion (along with some recommended sources for further reading) let’s look at the video of a young Rikki Jai, with scenes of dancing on top of Naparima Hill overlooking San Fernando (the hill also happens to be a sacred site of the Warao in the nearby Orinoco Delta of Venezuela).

Here are some of the key passages from the text of the video:

Hold de Lata Mangeshkar, give me soca, aha aha
Hold de Lata Mangeshkar, give me soca, aha aha
Tickle me with a lavway, soca me till I sesay
But hold de Lata Mangeshkar, give me soca, aha aha.

Lata Mangeshkar (लता मंगेशकर) is a famous singer in India who has starred in countless Bollywood movies and even sings classic bhajans and ghazals (I am lucky enough to have one of her sets of tapes). For modern traditionalist Indians in Trinidad, respecting much of what comes from the Indian motherland and sourcing it as part of their impressive cultural revitalization in Trinidad which has lasted for generations, a figure such as Mangeshkar is revered. And, as I said, she is also a tremendous singer, and more than just a symbolic figure.

(Trinidad’s Indian cultural revitalization was a subject of interest to Morton Klass, anthropologist at Columbia University who passed away in 2001. His first book on Indians in Trinidad titled East Indians in Trinidad: A Study of Cultural Persistence and published in 1961, really brought the subject of Indian revitalization to the fore, even to the point that he was publicly castigated by the historian and independence leader of Trinidad, Eric Williams, for lending legitimacy to the divisive ethnic claims of what Williams called a “hostile and recalcitrant minority.”)

Sumintra is not hostile and recalcitrant. She is what the traditionalists dread, a defector. She pledges allegiance to a “Trinbagonian” identity (the word is a composite of Trinidadian and Tobagonian). She tells Rikki to hold the Lata Mangeshkar, she wants soca music instead. And there is a silent, or muffled story of cultural creolization right there, since many doubt that soca developed without the input of East Indian musical influences. Even if the creolization theme had been made obvious at this point, it would not lessen the dread for the traditionalists/purists, some of whom have famously gone on record in protesting that creolization is tantamount to genocide.

Sumintra is explicitly against ethnic politics, making this video quite subversive in the Trinidadian context of political antagonism and sometimes even residential segregation dividing those of East Indian ancestry from those of African ancestry, with both forming roughly equal portions of the overall national population. Sumintra has the courage to say:

Sumintra charge me [Rikki Jai] for being racist
And tell mi doh take dem chance wid she
Doh let mih catch you in dat foolishness
Trying to reach de Indian in me
Like you into politics, boy, you comin on dem tricks
Boy, I’m Trinbagonian, I like soca action
Take your Mohammed Rafi and bring Scrunter [soca star] or Bally [Gregory Ballantyne, the author of this very song]
Only then you’d be talkin to me. Yes, Rikki

Sumintra charges Rikki with racism! Why? For trying to maintain her within the fold, for trying to capture her for tradition, for trying to “reach the Indian” inside her. He’s speaking like any of the other ethno-political boys of what is now known as the United National Congress. She will have none of it. Sumintra wants “soca action”. “Tickle me with a lavway” she says — lavway is a creolized version of two French words, most likely “la voix” (the voice), a reference to the call and response form of early calypso music, the progenitor of soca. (I never found anyone who could tell me what “sesay” means.) “Bindiya chamkegi” is the title of one of Mangeshkar’s songs (which you can see and hear, here). You can view Mangeshkar performing here. Incidentally, one can find Mangeshkar’s voice singing for this beautifully nationalistic video, Vande Mataram, the Indian national anthem. I warmly recommend it for the imagery alone, parts of which I think are inspired by epic moments of American nationalism, such as the raising of the flag at Iwo Jima.

(Sumintra would have no time for me either, as I believe that Mangeshkar is a deity, and I am presently busy building an altar in her honour in my study. It is right next to the one for Amitabh Bachchan of course.)

Sumintra is also cast as a woman who has experienced modernity and multiple cultures, far from her birthplace, a shack in the Trinidadian village of Debe, mostly populated by Indians. Rikki Jai says of her:

Must be University or dem trips to Miami
That make she draw a border between roots and culture
She’s a liberated soul, Trinbago in she passport

University. Foreign travel. Her roots are distinct from her culture, just as the tree is larger and broader than the roots from which it sprang. It’s explicit here, she is “liberated,” a “Trinbagonian.” Rikki feels small now, and she even tells him, “Sport, you come short.” (Excuse me miss, please let that be the last time you belittle my beloved little Rikki.)

Rikki is not about to roll over and die. He comes up with a plan. He wants Indian, she wants soca. In comes chutney soca, a partial reindianization, and a creolized reinidanization at that, of something that emerged in part from Indian influences to begin with. He says:

I still believe the best gift is music
’Cause music is the food of love
But now I had to come up with new tricks
For Sumintra to get involve

Is soca yuh want eh?
I go give you what you want.
Lavway! Sesay!

•••••••

Guanaguanare is right (see “A Note from the Gull” midway down that page), this is a song one heard in the background of everyday life in Trinidad, and some of us were late in realizing the genius of the song. Guanaguanare also has a love for Mangeshkar, but understands Sumintra’s desire to transcend the binding bonds of the past and experience freedom. In a powerful paragraph, Guanaguanare writes:

While this speaking to difference may be excused or even essential in less open societies, here in Trinbago, it is often quickly seen for what it is – a ploy and often a divisive one that pits one “group” against another, whether these be distinguished by religion, ethnicity, gender, class, political affiliation. We identify the trickery by recognizing that we are being flattened, simplified, categorized, reduced to one dimensionality. We defend our multi-dimensionality by asking ourselves the questions, “Why am I not being addressed as an individual and a human being and a man or woman or child and a Trinbagonian? What aspect or aspects of my being and my life in this country am I expected to neglect, to betray? Why are these artificial distinctions being solidified?” Whether the object(s) of these strategies choose, like Sumintra, to protest, or to play along, depends on if there is the perception of benefits to be received. We are entitiled always it would seem, to sell ourselves to the highest bidder.

Do I detect some bitterness in that instrumentalist view of personal strategies? I may not be following Guanaguanare, and perhaps she will offer a clarification either here or at new collaborative blog some of us are planning (more later).

My questions about the video/song are:

Does the song preach against ethno-political divisions, or does it in fact practice division? Notice that Sumintra is to be the role model of the dominant, national, creolized identity, one that apparently leaves little room for East Indians except perhaps as background influence that is rarely acknowledged.

Does the song obscure the Indian origins of soca, and buy into the traditionalist and purist fears of creolization?

Were Indians in Trinidad ever so marginalized and alienated as some of their most prominent political leaders (for example, former Prime Minister Basdeo Panday) have claimed?

•••••••

Readers who wish to read more along this line of discussion should see these works by Viranjini Munasinghe, anthropologist at Cornell University:

Munasinghe, Viranjini. (2003). Callaloo or Tossed Salad? East Indians and the Cultural Politics of Identity in Trinidad. Ithaca: Cornell University Press.

Munasinghe, Viranjini. (2002). “Nationalism in Hybrid Spaces: The Production of Impurity out of Purity.” American Ethnologist, August 29 (3): 663-692.

Speaking in an interview, Munasinghe identifies some of the leading food metaphors in the politics of national identity in Trinidad. Callaloo is a stew made from dasheen. Tossed salad requires no explanation, unless the reader has been on a meat-only diet since birth. Munasinghe says:

many Indo-Trinidadian cultural and political activists I spoke with during my fieldwork in 1999 and 2000 took exception to this metaphor for the Trinidad nation. They argued that since the ingredients making up the “callaloo” are boiled down to an indistinguishable mush, the original ingredients lose their respective identities and blend into one homogeneous taste. They disapproved of this metaphor because it represented an extreme level of blending or “mixture.” Instead they opted for the metaphor of the “tossed salad“–an image which also signified diversity but one where, unlike the callaloo, each diverse ingredient maintained its originally distinct and unique identity. Thus the food metaphors of the callaloo and the tossed salad for the nation of Trinidad and Tobago convey very different ideas of mixture — callaloo depicting a process of mixture that produces homogeneity and tossed salad signifying the co-existence of diverse elements in pluralism.

Munasinghe does a great job of condensing discussion of India-Trinidad exchange and the emergence of an Indian cultural revitalization movement in Trinidad:

Identification with India heightened in the 1930s when the independence movement in India added vigor to the Indo-Trinidadian consciousness. As early as the 1930s, young Indo-Trinidadian intellectuals began staging island-wide demonstrations in support of India’s demand for freedom. Public meetings held in Indo-Trinidadian majority areas opened and closed with Indian patriotic songs and “Vande Matram,” the Indian national anthem. Many of the Indo-Trinidadian organizations formed during this period, like the India Club, were intent on spreading knowledge about India and things Indian. Wealthy Indo-Trinidadians visited India and contributed generously to famine relief funds. Visits from a host of Indian missionaries and cultural leaders generated new interest, especially among the Indo-Trinidadian middle class, in the language and culture of their “mother country.” The first Indian movie, “Bala Joban” was shown to enthralled audiences in Trinidad in 1935.

The role of the Indian mass media, especially its powerful film and music industry has been critical, and this is the backdrop against which Rikki Jai must define himself in the video above.

Munasinghe continues in that interview by discussing creolization, colonialism and racism, and contemporary ethnic politics. It is a good synopsis of the range of material she dicusses in her book listed above. With respect to creolization, and the dominant metaphor of creolization has been the callaloo, she says that this historically worked to exclude East Indians:

Creolization is a concept primarily identified with the Caribbean to describe and analyze processes of cultural adaptation and change within deeply hierarchical systems (the plantation/slavery complex and the race/color hierarchy that accompanied it) whereby new cultural forms emerged in the New World. A combination of the Spanish words “criar” (to create, to imagine) and “colon” (a colonist, a founder, a settler), the term Creole in the British Caribbean refers to people and things that constitute a mix of elements originating in the Old World. Through this mix of Old World forms, cultures and people indigenous to the New World were created. The terms creole and creolization, however, emphasize primarily the synthesis of African and European Old World elements, thereby excluding Indians. Thus while those with African and European ancestry are labeled Creoles, Indo-Trinidadians are never considered to be Creole. The implications of this exclusion from creole status is significant for Indo-Trinidadians.

Munasinghe does not explain how a cultural process, which certainly did include Indians, as in the case of soca, and moreso chutney soca, excluded them. What she is leaving out of the discussion is that political representations of creolization can and have emphasized the figure of the “Afro-Saxon” as representative of creole society, but she also should add that, like the people Sumintra rejects, some Indian nationalists are self-excluding, and disavow any ownership of the creole cultural forms that they themselves helped to create.

Creolization also implied indigenization whereby foreign elements could become native to the New World through creative mixings. Thus, all persons and things “Creole” signified native status in Trinidad, and by extension the New World. East Indians who were considered unmixables because they were thought to be so saturated with an ancient (albeit inferior) civilization, were as a consequence not accorded Creole or native status in Trinidad. Thus, Indo-Trinidadians have been symbolically positioned as outside of the nation of Trinidad before and since independence in 1962.

Here is the “hostile and recalcitrant” notion at work again. This is largely true, but let us also remember self-exclusion as well, where mixture was equated with genocide by Indo-Trinidadian political and religious leaders (the process known as “douglarization” — a dougla being the offspring of one Indian and one African parent). Even more contentious have been the occasional claims by some Indo-Trinidadian politicians that black men come to central Trinidad, where most Indians reside, in order to rape Indian women. Suddenly, the discussion has become quite ugly.

Munasinghe also explains how colonial policies of racial division continue into the present, in ways that echoe with what we saw in the video above:

Colonial policies and racial theories continue to influence contemporary politics on the island. The division between the two major ethnic groups comprising Trinidad’s population, the Afro-Trinidadian and the Indo-Trinidadian, which is marked and reproduced by race rhetoric and ethnic stereotypes with both groups jealously guarding what they believe to be their legitimate terrain, can be traced to colonial policy. East Indians were brought to Trinidad as “scab labor” to drive down the bargaining power of the Afro-Trinidadians. Thus, East Indians from the beginning occupied a structurally antagonistic position to Afro-Trinidadians.

The profligate “Negro” and the thrifty Indian are caricatures that survive to this day and inform some of the “outrage” that surrounds some of the music videos will shall be seeing:

Caricatures of the luxury-loving, lazy, immoral Negro and of the docile, hardworking and cunning Indian abound in planter discourses of the period soon after emancipation. Many of these derogatory racial stereotypes continue to this day as the two groups use these same caricatures to undermine one another. Unfortunately, as is the case with ethnic/racial stereotypes, these negative racial traits are thought to signify natural characteristics of the respective groups and the specific colonial history that led to the creation of such discourse is forgotten or remains unacknowledged.


In Part 2 of this series, I will continue by discussing, and showing, “wining”. See you then.

Categories: COMPLEXITY/CHAOS · LIBERATION · POST-COLONIALISM · RESURGENCE
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The enigma that is Mugabe, internationally and in the Caribbean (1.2)

July 9, 2008 · 3 Comments

So filled with anti-imperialist scorn on this blog, but when it comes to Mugabe, and the possible cooptation of anti-imperial discourse as justification for oppressive rule, then this blog suddenly goes silent. And why is that?

No apologies here, I cannot comment on everything and everyone in the world, but having said that I will confess that I have deliberately avoided the subject of Robert Mugabe on this blog, as much as it touches on issues that are near and dear to this blog: independence, liberation, anti-colonialism, post-colonialism, and power.

Given that much of the “information” I receive about Mugabe comes from Western media, I have reason to distrust the picture that has been painted, and I simply do not know enough about Zimbabwe to comment, and perhaps neither do BBC reporters who “cover” Zimbabwe all the way in Johannesburg. And who is this Morgan Tsvangirai? Media reports never seem to describe or discuss his emergence, his background, in what he is grounded, and what role if any foreign governments may play in supporting him. But when George W. Bush proclaims the recent election in Zimbabwe to be a “sham election,” I have enough reason to balk, to switch off, and to give Mugabe the benefit of the doubt. After all, Mugabe has all the right enemies to suggest that the story is more complicated than one of a power-hungry dictator and a heroically democratic opponent. Finally, I confess that I am biased by where I first heard of reports of Mugabe’s persecution of white farmers: I was still living in Australia then, and right wing media hearts were bleeding for these expropriated rich white folk who owned obscenely vast tracts of Zimbabwe, even going so far as to urge granting them refugee status in Australia, while ignoring black asylum seekers from other parts of Africa, and while those fleeing the Taliban were mocked by the immigration minister as “queue jumpers” and bundled off to Nauru, or sequestered in detention camps in the Australian outbacks, like criminal “wogs”. As I said, Mugabe seems to have the kind of enemies that dignify him, enough to give me reason for pause and consider giving him the benefit of the doubt and to remain very skeptical of the media, the kind which asserted the “fact” that Iraq had WMDs in 2003.

What I am more interested in here, and closer to home, is how the image of Mugabe is being handled in the Caribbean. On the blog, My View of JamDown from Up So, a post titled, “Is it just a cartoon?” features an astounding cartoon from The Jamaica Observer:

The blogger, diatribalist (Dwight Dunkley, a Jamaican in New York) makes some excellent observations:

It’s one thing when white supremacists on YouTube post a racist comments under videos of news from Zimbabwe implying that black people are unfit to run our own countries. It is another thing entirely when a black cartoonist, in a country where over 90% of the population is black, chooses to portray an African leader as an ape [MF: as King Kong to be exact] - and to put the words “Black man time” on the ape as if to imply that the problems taking place in Zimbabwe are due to the color of the leader.

Not only that, he links this image to the racist undertones of all King Kong images, and makes some useful comments on the inherent anti-black stigma that has been internalized and reinforced by Jamaican media, inherited from British colonialism … and this is 2008. So much for “change.” And so much for those who would challenge the validity of the generalization that black identity is still the most stigmatized identity in the Caribbean.

On a Trinidadian blog, instead, Ramblings and Reason (not to be confused with my Trini friend GirlBlue’s Rantings and Ramblings), a post on today’s date titled “Hail Robert Mugabe” features this sign on a street in Trinidad:

It is by the Beetham Estate, what is in fact a sprawling garbage dump in which people live and work. This is a controversial sign, which in some ways reinforces the racial supremacy message of the Jamaican cartoon above, this time presumably not to lampoon it. Ramblings and Reason does not take kindly to the sign:

I’ve heard opinions on why Mugabe is so popular. Land ownership is an emotional subject for Africans because the place where your ancestors are buried is very important. Mugabe’s expropriation of white-owned farms appealed to Zimbabweans and all Africans whose ancestors had had their lands taken from them in less than ethical (read violent and tyrannical) ways. Mugabe, like Castro and Chavez, is also seen as a bastion against Western neo-imperialism. Yet, like others who spew similar rhetoric and live in luxury while their people struggle for food, Mugabe’s methods of maintaining power are violent and repressive and human rights take a back seat. So black people must suffer in order to fight the white oppressors.

I have actually not heard that Mugabe is popular, so this is interesting. Apparently, at least in Trinidad, there are those who liken Mugabe to Chavez and Castro — that may be good news for Mugabe, or bad news for Chavez and Castro, I am not sure if either would be true. Either way, R&R is not buying into the imputed heroism of Mugabe.

Mugabe remains an enigmatic figure as much in the Caribbean as in my mind.

•••••••

Another Trinidadian blogger, Attilah Springer a.k.a. tillahwillah of four fingers and a thumb 2.0, writes in a post titled, “Dictators in our midst“:

A dictator in the world is like the abusive father in the community that no-one wants to report.

Everybody knows what is going on. Everyone hears the screams coming from the house. Night after night. Everyone sees the state of the children. No one questions the father’s authority.

I for one am fed up of the unquestioned authority of the patriarchy.

Enough already. And in the same way that communities have to start speaking out against abusive fathers, I began to feel a huge sense of relief this week when Nelson Mandela finally publicly expressed concern about what is going on in Zimbabwe.

Tillahwillah also quotes a song by Fela Kuti, titled “Beasts of the Nation” that reminds me a little of the Jamaican cartoon at the top of the post:

Many leaders as you see dem
Na different disguise dem dey, oh
Animal in human skin
Animal, he put on tie, oh
Animal, he wear agbada
Animal, he put on suit, oh

You can read more from tillahwillah’s post here. Her quote from Fela Kuti reminded me of another video using a Fela Kuti song, and I include it here mostly for that song. Incidentally, my ambivalence about Mugabe remains, but I am thankful for the alternate views from writers I am more likely to trust than the BBC or CNN.

Categories: COLONIALISM/IMPERIALISM · DECOLONIZATION · LIBERATION · RESURGENCE
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1968 - 2008: From Vietnam to Concordia

July 9, 2008 · No Comments

For many of those who are 40 and older, 1968 stands out as an emblematic year for the transnational politics of dissent, for the development of countercultures and various avant gardes, for the emergence of non-class social movements, and the appearance of what some call the “revolution of the forgotten peoples” in the social sciences which turned more of their attention to African Americans, native peoples, women, gays, and a host of non-state actors. In almost every continent something happened that was tumultuous: Black Power, Red Power, Flower Power, and the anti-war movement in the United States; the Tet Offensive in Vietnam that marked a turnaround and the impending defeat of a superpower, falling into economic disarray and a hard bitten view of itself thereafter. At my university, Concordia, there were so-called “Black power riots” in the very building in which my office is located, which had international consequences that led to the Black Power Revolution of 1970 in Trinidad and Tobago, and one of the Concordia leaders, Rosie Douglas, would end up becoming the Prime Minister of Dominica. Admittedly, most of the discussions of 1968 focus almost exclusively on movements in Europe.

Previously I had commented on this blog that we seem to be living through a rewind of 1968, which in many ways misses out on what is distinctive about where we are 40 years later, what the alignment of social forces looks like, and what matters most on both orthodox and heterodox political agendas. A number of recent articles, books, and symposia have appeared seeking to assess the legacies of 1968, from a 2008 standpoint, and the assessments are, as can be expected, mixed. The points that are raised are very interesting nonetheless. This post comes in three parts below.

1. THE CUNNING OF HISTORY?

Fred Halliday, writing in Open Democracy in an article titled “1968: the global legacy” (13 June, 2008), presents us with the perspective of someone who was active and inspired by the global movements of protest and new movements in art, music, and public debate, but was nevertheless a failure in transformational terms. He notes that in no western European country, which in many analyses is the centre of what Wallerstein called the World Revolution of 1968, were the politics modified. Not only that, there was a right wing shift in Britain and France. If anything, the legacy of 1968 was an ambiguous one, he argues. Halliday is not militating against the ideas, perspectives and movements that marked 1968, rather he wishes to see more sober evaluations of its consequences: “The events were indeed extraordinary, and remain indelible. What is wrong in the memorialisation is the fetishism of the moment, and associated loss of perspective and overall judgment, which leads to three kinds of distortion of focus.”

The first of these distortions caused by celebrations of 1968 was what he claims was the absence of feminism, coming only with second-generation feminism of 1969. When Halliday says 1968, he means to be very precise and calendrical about it, whereas others might see it as more of an emblematic, umbrella-like period that encompasses 1969 for certain. Nor is it universally true that feminism was absent from the movements of 1968. Halliday sees the second distortion coming in the indulgence of violence by certain sectors, whether urban guerrilla warfare or what would later be called terrorism. Finally, the third distortion in his view is the absence of “political realism” — “the ability to match aspiration and imagination with a cool assessment of the balance of existing political forces.”

Rather than a “world revolution,” Halliday argues, 1968 ought to be seen as the start of an international/ “tricontinental” counterrevolution (I am not sure why these two cannot go together, since the latter seems to be premised on the former). Halliday takes us through a series of deadly anti-revolutionary transformations that occurred across the globe in the period, especially in the Soviet bloc and in China, and notes that the results led to the collapse of socialism as a viable alternative:

It is clear in retrospect that 1968 did not bury European capitalist democracy or American imperialism. It did, however, set in train the death and burial of the Russian and Chinese revolutions and of communism in western Europe. A fine example, indeed, of the cunning of history.

Unfortunately, what Halliday does not do is to present us with reasons why others instead celebrate 1968, and the transformations that they can point to. Moreover, many even on the left would not mourn the passing of either Soviet socialism or China’s last serious attempt to claim that its revolution was a communist one.

•••••••

2. THE FUTURE OF 1968

A book edited by Martin Klimke and Joachim Scharloth, 1968 in Europe: A History of Protest and Activism, 1956-1977 (London: Palgrave Macmillan, 2008) presents a range of assessments that, while not the opposite of Halliday’s, certainly present different angles of understanding. As the subtitle of the book suggests, 1968 stands not for a year of events but for two decades of events.

In the introduction, the editors begin by highlighting the degree to which students were focused on by the mass media as agents of protest, some even referring to a “student class” emerging that echoed the emergence of the nineteenth century working class in Europe. The protesters emphasized what they rightly saw as the lack of participatory democracy in their societies and their growing alienation from their societies. Capitalism was the target of critiques of authoritarianism and technocracy. Universities were to become the centres of revolutionary protest — indeed, in my own memories of the transformation of the University of Rome’s campus, into professor-less open air classes, mural paintings, and wine fueled meetings of communist youth, these were not the kind of shopping mall environments of today. The Vietnam war weighed heavily worldwide, and inspired revolutionary movements across the globe, not to mention celebratory songs, poems, novels, paintings, etc. Interestingly, while today’s Iraq war has been protested across the globe, in virtually every country, there seems to be far less of the romance surrounding these insurgents — no Jane Fondas ready to pose in photographs with them. Dictatorship was also clearly within the sights of protesters, whether Soviet-aligned regimes in the eastern half of the continent, or the military dictatorships of Portugal, Spain, and Greece.

For the editors of this volume one of the most outstanding features of “1968″ (which they place in quotes), was that, “it transgressed the ideological fronts of the Cold War.” The focus of their volume is on the transnational dimensions of “1968.”

The roots of the movements associated with 1968 are to be found in what the editors calls the “long 1960s.” As they say, “1968″ stands as a metaphor (whereas for Halliday, it was a single year) for a history beginning with the Hungarian revolt of 1956 and the climax of political violence in Germany and Italy in 1977. Part of this transformation has to do with the emergence of the transnational New Left and the international peace movement. There was a departure from Marxist orthodoxy and its focus on the working class. Nonetheless, capitalism, materialism, and apathy were still targeted by these new movements.

Also of especial interest is the volume’s discussion of counterculture. As the editors encapsulate it:

The youths’ belief that they were more sentient than their parents’ generation, and the hope of building a new society founded on tenderness met with the search for the “new man” in psychedelic music and drug experiences, in “free” sexuality, and in new forms of living and communication. The synaesthetic nature of rock music served as the colorful display and global transmitter of these new symbolic forms of living and communication. Portraits of musicians like Jimi Hendrix promised the same freedom as the images of Che Guevara or Ho Chi Minh, the only difference being that their freedom could be gained in the here and now. Meanwhile, these new symbolic forms of living and communication often provoked conflicts with both conservative elements in societies and state authorities and thus acquired a political dimension. Concerts by the Rolling Stones or Jimmie Hendrix often ended in outbreaks of violence.

The editors assert that, “nobody today seriously doubts that European societies were fundamentally transformed as a result of the events of 1968″ — even if we just finished reading Halliday to the contrary. As they argue, 1968 has had many afterlives and has been virtually canonized in popular memory, at least in Europe if not elsewhere. Let’s not forget that a sizable portion of our current population lived through, and often took part in the events of 1968. Finally, as the editors remind us, Hannah Arendt (whose work will also be discussed on this blog) once wrote that “the children of the next century will once learn about 1968 the way we learned about 1848.”

One of those youth was Tom Hayden. In a chapter titled, The Future of 1968’s ‘Restless Youth’ recounts how he came to be involved:

I was 27 years old as the year 1968 unfolded. When the decade began, I was the first in my family to attend a university, and my non-conformist instincts led me to the campus paper and the sociology department at the University of Michigan. While pursuing an institutional career, I was a follower of Jack Kerouac as well, whose On The Road was published in my senior year, 1957. During that same year, black high school students integrated a high school in Bill Clinton’s Little Rock, Arkansas, amidst beatings, insults and federal military protection. Two years later, after I directly encountered black students risking their lives in the South, I became a committed activist.

Incidentally, he also outlines the extent to which the Johnson administration was worried by student protest movements and plans for spying on American students. Tom Hayden wonders why the CIA should have concerned itself — when he helped draft the 1962 manifesto of Students for a Democratic Society, he says it was “hardly the Communist Manifesto” and more of a “statement of middle class anxiety.” The main foci of his concern were racism and the nuclear arms race. As he says in the piece, their prophets were not Marx and Lenin, but John Dewey, C. Wright Mills, and J.D. Salinger.

Hayden is not euphoric, even when he highlights the energy, hope and promise of 1968. As he himself writes:

Then, as it reached its peak of frenzy, about 1969-70, one could feel the tide begin to turn. The movements themselves were convulsed by division. The Marxist sectarians were not dead at all, merely hatching in the garbage we left unattended. After factions ripped its body apart, SDS was closed down as “too bourgeois.” No one could transcend the inevitability of the women’s movement as it shredded the male hierarchies. The counterculture was shocked by Altamont and Manson. Drug euphoria devolved into the dark trips of paranoia, depression, and schizophrenia. Thousands of veterans came home with bad papers and strung out. Richard Nixon - wasn’t he the man we thought we dumped in 1960, the year it all began? - soon became president of the United States.

And yet, he emphasizes, there were lasting transformations and immediate changes that occurred as a result of the long 1960s. Hayden lists these as follows:

  • The Vietnam War began to end in 1969 and imploded in the years 1973-75; Nixon and his vice president, Spiro Agnew, were driven from office;
  • The compulsory military draft was ended;
  • The War Powers Act was passed as a curb on the imperial presidency;
  • The Democratic Party and national election rules were radically reformed;
  • Earth Day arose apparently from nowhere, historical environmental laws were passed, and the planet Earth was seen in a photo for the very first time;
  • After 25 years of failing passage, the 18-year-old vote became law;
  • Black studies, Latino studies, women’s studies, and environmental studies were integrated into the curriculum of high schools and universities;
  • Everyone was humming The Yellow Submarine and quoting Allen Ginsberg;
  • Several national blue-ribbon commissions (the Kerner report on the ghettos, the Scranton report on the campuses, the Walker report on Chicago) seemed to vindicate the New Left analysis of causes and solutions.

This does not mean that the 1968 protests were not eventually appropriated by the state, for as Hayden notes, “when order was reformed, order was restored.”

Hayden also argues that the 1960s are “far from over.” He cites Bill Clinton as the one to outline the basic dividing line in American politics being “between those with a generally favorable view of the Sixties phenomenon (who tend to be Democrats) and those who are still attempting to erase the achievements of the Sixties altogether (the neo-conservatives, for example).” Hillary Clinton was also at least an observer at the Chicago protests of 1968. It is ironic then that one side of 1968, the rise of African Americans in the national political panorama, should clash head on with another side, women’s rights, in 2008.

Nonetheless, he is hopeful, and notes that one of the main blocs of anti-war supporters today are those ranging from the late 40s to the late 60s in age. Che Guevara has achieved a kind of global martyrdom. And as Hayden believes, “sooner or later, the new generations will question and resist the programmed future of counter-terrorism, economic privatization, environmental chaos, and sordid alliances justified in the name of this War [on Terror].”

Hayden hopes for a peaceful transition away from imperialism and empire, and that there can be an improved quality of life after empire. Unfortunately, he thinks Canadians may be among those to show Americans the way — perhaps Hayden has been down so long that it all looks like up to him.

•••••••

3. 1968, SOCIETIES IN CRISIS: A GLOBAL PERSPECTIVE (INTERNATIONAL CONFERENCE)

This last item brings us right here to Montreal, to Concordia University, and I am very much looking forward to this and will try to present a report after the event has concluded. An international conference, In English and French, is to be held at Concordia on November 3, 2008, titled “1968, Societies in Crisis: A Global Perspective.”

The conference description is as follows:

1968-2008: forty years later, the crisis of 1968 are still a source of nostalgia, pride or resentment to those who took part in them. By virtue of their impact and their scope, they continue to attract the attention of scholars. The ongoing interest in the events of “1968″ may be explained by their many dimensions: they may be seen as periods of challenge to political power and authority, and as movements of student and trade union revolt. The ‘crisis of 68′ represent the apogee of the aspiration to freedom and change in societies exasperated by the status quo and respect for social and ethical codes considered obsolete. These general protest movements also found an echo because of their global dimension: they swept Quebec, the United States, Europe, Africa and Latin America. In the framework of the fortieth anniversary of the events of 1968, the Lucienne Cnockaert Chair in the history of Europe and Africa (Université de Sherbrooke and Bishop’s University), the Concordia University Chair in the study of Quebec (Sociology and Anthropology department of Concordia University), the Groupe de recherche interuniversitaire sur le Québec et ses relations internationales (GRIQUERE) (Interuniversity research group on Quebec and its international relations) and the Groupement interuniversitaire sur l’histoire des relations internationales contemporaines (GIHRIC) (Interuniversity group for the history of contemporary international relations) are organizing a conference entitled 1968, Societies in Crisis : a global perspective. The conference will seek, on the one hand, to analyze the interconnections, influences or distinctive characteristics of the crisis associated with 1968 and on the other, to compare these crisis by placing them in the sociopolitical perspective of the Sixties (decolonization in Africa, thaw in the Cold War, Vietnam War and, in Quebec, Quiet Revolution, among other factors). The object is to undertake a comprehensive, comparative and interlinked rereading of the ‘springtimes’ of 1968 in order to understand the social, economic and political origins of the different movements, observe the issues involved as well as the development and outcome of the crisis, and finally, determine the significance and impact of the events of 1968 and their place in the collective memories of Europeans, Africans and Americans.

What is noteworthy is not just that my colleague, Jean-Philippe Warren is one of the organizers (a prolific writer who publishes a book a year, and if he blogged would probably blog me right off the Internet), but that unlike the first two items in this post, this conference promises a less Eurocentric focus on 1968.

Categories: "NOTES & QUOTES" · COLONIALISM/IMPERIALISM · LIBERATION · MANIFESTO · POST-COLONIALISM · RESURGENCE · UTOPISTICS
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Spirited Encounters: American Indians Protest Museum Policies and Practices

June 22, 2008 · 1 Comment

In line with an earlier post about the repatriation of First Nation remains held in museums, I am happy to tell readers of the recent publication of a new book, by AltaMira Press, titled Spirited Encounters: American Indians Protest Museum Policies and Practices. The publisher’s synopsis reads as follows (with minor edits): “During the twentieth century, dozens of protests, large and small, occurred across North America as American Indians asserted their anger and displayed their disappointment regarding traditional museum behaviors. In response, due to public embarrassment and an awakening of sensitivities, museums began to change their methods and laws were enacted in support of American Indian requests for change. Spirited Encounters provides a foundation for understanding museums and looks at their development to present time, examines how museums collect Native materials, and explores protest as a fully American process of addressing grievances. Now that museums and American Indians are working together in the processes of repatriation, this book can help each side understand the other more fully.”

The author, Karen Coody Cooper, is an enrolled member of the Cherokee Nation of Oklahoma, and has occupied positions in museums such as the Smithsonian Museum of the American Indian. Karen has just begun working as a historical interpreter at the Cherokee Heritage Center in Park Hill, south of Tahlequah. She was born in Tulsa, and graduated from Collinsville High School. She will be a keynote speaker at the Oklahoma Museums Association annual meeting in September in Bartlesville and will be teaching a course on American Indians and museums at Northeastern State University this fall. To obtain the book Spirited Encounters (available in soft cover or hardback), visit the Web site of Altamira Press or Barnes & Noble, or contact your local book dealer.

Karen sent me the following press release as well, discussing the key issues pertaining to her work for this volume:

NATIVE AMERICANS TRANSFORM MUSEUMS

TAHLEQUAH - American Indian corpses taken from nineteenth-century battlefields often wound up in museum collections, and museum agents commonly dug up skeletal remains from Native burial sites. During the first part of the twentieth century, major museum exhibitions were created from grave goods and war trophies, along with confiscated ceremonial items. It wasn’t until the Civil Rights Movement gained momentum in the 1960s, that agencies and institutions were forced to reconsider their treatment of minority groups. In the 1970s the American Indian Movement, American Indians Against Desecration, and other Native social action groups launched protests across the nation.

American Indian protests caught the attention of the U.S. Congress in 1987 when hearings disclosed that the Smithsonian Institution alone possessed 34,000 American Indian remains. Native activists pushed for passage of the Native American Graves Protection and Repatriation Act. The enactment of NAGPRA in 1990 served to transform museums by requiring them to release information about their holdings to pertinent federally-recognized tribes and to return Native remains, burial goods, and ceremonial objects to their homeland governments. Museum inventories received by the National Park Service, which manages NAGPRA, finds that as many as 600,000 Native human remains have been held by museums across the United States. Today, museums no longer collect Native remains, burial items, or ceremonial materials. As a result of the repatriation act, museums and American Indians have had to engage in an exchange of information which has helped the two entities better understand each other. Through interactions with Native spokespeople, museums have learned more about Native communities, leading to improved exhibitions and programs.

During the 1980s American Indians protested major exhibitions that were ignoring American Indian concerns about accuracy and appropriateness. Two major protested exhibitions were The Spirit Sings in Calgary, during the 1988 winter Olympics, and First Encounters, originating in Florida during the quincentennial of the 1492 voyage of Columbus. The latter exhibit traveled to museums in Albuquerque and St. Paul, Minnesota with protestors taking action at each location. Those museums sought to address the concerns of protestors by enhancing the exhibit with additional exhibit panels, program presentations, and visitor handouts. Prior to organized protests exhibits in natural history museums and in historical societies often contained distorted information about American Indians and created poorly informed scenarios. Some exhibits had labeled garden and woodworking tools as weapons. Today, most museums consult with Native advisors to assure that descriptions of practices, materials, and activities in museum exhibits are accurate.

American Indian artists experienced problems with art museums, which generally wanted to relegate Native art to ethnographic status. In the 1950s and 1960s, Tulsa’s Philbrook Art Center was host to one of the nation’s premier Native art shows. But, they accepted only art that conformed to the museum’s definition of Native art, serving to severely restrict American Indian artists who were seeking to create new, dynamic art forms and who wanted to make a living as artists. Innovative Native artists struggled to open their own galleries while resenting their exclusion from museums.

The book also discusses protests at state and national parks containing Native sacred sites, where ongoing battles concern access and propriety. Also, chapters are devoted to museums or national parks that have long celebrated “heroes” deleterious to American Indians, such as the Pilgrims of Plimoth Plantation and the former Custer Battlefield National Monument, now the Little Big Horn Battlefield National Monument. Plimoth Plantation has instituted a Wampanoag presence at their living history site, now conforming to historical knowledge that Wampanoag people and Pilgrims were in constant interaction. Colonial Williamsburg, which once included a school for the sons of area Native chiefs, is also beginning to incorporate a Native presence there to conform to historical evidence of repeated visits by Native contingents and individuals.

Following a chapter discussing the development of museums managed by Native governments, the book’s summary chapter reviews the changes invoked by the protests and suggests that improved communication between museums and Native communities has led to better exhibitions and to more lively programs. Many museums are now friendlier to community researchers, having opened their doors to Native emissaries inviting them to view archives, photographs and collections from generations past. Forty years ago Native researchers were not welcome at many museums, which often restricted museum holdings to visits by credentialed academic researchers.

This is a list of the contents of the volume:

Introduction: American Indians, Museums and Protest
Part I: Protesting Exhibitions
Chapter One: Politics and Sponsorship
Chapter Two: Display of Sacred Objects
Chapter Three: Display of Human Remains
Chapter Four: Art Confined to a Reservation of its Own
Part II: The Long Road to Repatriation
Chapter Five: Demands for Return of Material Objects
Chapter Six: Demands for Return of Human Remains
Part III: Whose Heroes and Holidays
Chapter Seven: No Celebration for Columbus
Chapter Eight: Thanksgiving Mourned
Chapter Nine: The Custer Chronicles
Part IV: Claiming Our Own Places
Chapter Ten: Native Cultural Sites
Chapter Eleven: Transforming Museums
Conclusion: Achievements Gained by Protests

For more information, see the publisher website linked to above, or contact Karen Coody Cooper at:
cooper46@sbcglobal.net

Categories: DECOLONIZATION · POST-COLONIALISM · RESURGENCE
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National Aboriginal Solidarity Day: Montreal

June 21, 2008 · No Comments

Today, June 21, 2008, the first day of summer, the summer solstice, is National Aboriginal Solidarity Day in Canada. I attended the advertised event for Montreal, incorporated into the Montreal First People’s Festival, and dubbed the Solstice of Nations. This was the fourth annual Solstice of Nations. The weather was excellent: deep blue sky, cool fresh breeze, wet grass, and everyone in the park appeared to be happy, refreshed, and outgoing. The event took place in Montreal’s very beautiful Mount Royal park, which is on what is essentially a broad and low mountain in the centre of the city, somewhat higher than the skyscrapers near its base. Approximately between 80 and 100 people attended the event, including Gilles Duceppe, the leader of the Bloc Québécois. The proceedings began with drumming and chanting, followed by very brief speeches, then the lighting of the flame in a large copper brazier, and more drumming and chanting. At one point, as one onlooker told me, a large bird with a very broad wingspan and appearing to be an eagle flew overhead and circled as the drumming ended. The embers from the burning of the flame were preserved and are to be taken to the Fête national du Québec (the national festival of Quebec). The embers will be used to light the bonfire at that festival, on June 23rd, on the Plains of Abraham, commemorating the 400th anniversary of the founding of Quebec City.

Also present at today’s events were indigenous Wayuu from Venezuela and Colombia. They were formally welcomed into the circle by the main speaker who addressed them in Spanish: “Bienvenidos, esta es terra indígena también” (welcome, this is also indigenous territory). (The proceedings were otherwise carried out entirely in French — which is interesting, because local Mohawks especially, and many Cree and Inuit in the province, speak English in addition to their native languages, rather than French.) As many others have observed, it is has become increasingly common in many parts of the world to find even small-scale, local indigenous events attended by at least some indigenous representatives from another nation.

The drummers’ circle…

…and two friends follow the ceremony:

Categories: DECOLONIZATION · RESURGENCE
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Navajo Nation Steelpan, and Aboriginal Reggae

June 17, 2008 · No Comments

It seems that Trinidad’s steelpan has “gone native” in the Navajo Nation in the U.S. (Yes, the “steelpan” is a Trinidadian invention, reportedly the only new musical instrument to have been invented in the 20th century.)

Navajo Nation youth, organized into a steelpan orchestra, played at the Smithsonian’s National Museum of the American Indian in Washington, D.C. The youths came from the Church Rock Academy in Gallup, New Mexico.

In a printed statement handed out among guests, the school band stated:

“The Navajo students have adopted this instrument as their own and so celebrate both their own culture with traditional Navajo music and other cultures by playing music such as reggae, calypso, and limbo.”

For the original story, click here.

A video synopsis of their performances at the Museum is included below.


•••••••

From Australia’s Letterstick Band, one of their reggae tunes titled “Lost Boy” can be heard below. This song comes from their “An Barra Clan” album, produced and released by the Central Australia Aboriginal Media Association (CAAMA). I had the pleasure of visiting CAAMA in person, in Alice Springs, in 2001, where I obtained a copy of this particular album, heard a dozen other Aboriginal reggae tunes, and interacted with little children who knew no English and seemed confused about why I could not answer them in their language.

Categories: DECOLONIZATION · POST-COLONIALISM · RESURGENCE
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Aboriginal Film Festivals, 2008: Montreal, Winnipeg, London, San Francisco

June 17, 2008 · No Comments

Montreal, currently underway:

FESTIVAL PRÉSENCE AUTOCHTONE 2008
FIRST PEOPLE’S FESTIVAL, 2008
June 12 - 22

This is the 18th year of the festival.

•••••••

Winnipeg Aboriginal Film Festival, 2008
November 20 - 23

Call for entries

•••••••

London - Native Spirit Festival, 2008
October

Call for entries

•••••••

33rd Annual American Indian Film Festival

American Indian Film Institute

November 7 -15, 2008

San Francisco, CA

Call for entries

Categories: POST-COLONIALISM · RESURGENCE
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Apology to Native Americans in the U.S.: current discussions

June 16, 2008 · 6 Comments

Thanks to Native American Minnesota, I was introduced to some public discussions and documents concerning efforts to obtain a national apology to American Indians in the United States, and Geff Wigley at NAM considers how Minnesota might learn from and adapt Canada’s Truth and Reconciliation Commission — see “Does Minnesota needs its own Truth and Reconciliation Commission?“. Among the documents listed at NAM one can find U.S. Senator Sam Brownback’s apology resolution. Wigley expects that both Obama and McCain will show leadership on native reconciliation issues if elected. NAM also points out that the Colorado legislature passed a resolution comparing the deaths of millions of American Indians to the Holocaust. Minnesota has also seen its own public arguments in favour of reconciliation and an apology.

Categories: DECOLONIZATION · LIBERATION · RESURGENCE
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Rapsure Risin

June 14, 2008 · No Comments

My people will sleep for 100 years, but when they awaken, it will be the artists who will give them their spirits back — Louis Riel

Dear people, that 100 years is up, and the bell is ringing, we are here to represent the 7th generation and ourselves — Rapsure Risin

A big thanks is due to the work of the Aboriginal People’s Television Network of Canada (APTN), the world’s first aboriginal television network, for always showing me something new and interesting (I am one of their two regular viewers — just kidding APTN!). Today, it happened that I would learn about Rapsure Risin, a dynamic duo of two Aboriginal female hip hop artists whose work is just fantastic. When I saw/heard the speed at which they rapped, smoothly and effortlessly, and the other fluid melodies they have produced, it was a pity to learn that they do not get much support in financial terms — both are taking up separate government positions soon and it is unlikely they will tour.

Rapsure Risin Homepage

Make sure you check their audio gallery

Rapsure Risin on MySpace

Rapsure Risin on Bebo

And their only video online, which does not do them justice the way APTN did, but is definitely better than nothing at all:


Categories: DECOLONIZATION · LIBERATION · RESURGENCE
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